I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

In Paris, one is always reminded of being a foreigner. If you park your car wrong, it is not the fact that it's on the sidewalk that matters, but the fact that you speak with an accent.

What Paris has done right is to make it awful to get around by car and awfully easy to get around by public transportation or by bike.

Later, my father died up in Marysville. So, my mother and I got in the car and came down to Hollywood.

You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.

That's when it really came together for me that I was in a Bond film, to have my own spy car!

At root fame is a sham. I'm not going to live forever and if I am I certainly need don't you to tell me that so that I will buy a car or a box of dried up crackers.

When you're in the car, how well you do is down to you and you alone-no band, no management, no marketing.

I went to watch my father at Silverstone in the early 1950s, and I've still got the car he was in.

I was brought up in a car family, my dad loved cars and I was taught the art of making an Austin 7 operate.