I think women like Ferraris. A Ferrari is everybody's car.

Freedom is not an ideal, it is not even a protection, if it means nothing more than freedom to stagnate, to live without dreams, to have no greater aim than a second car and another television set.

I started rapping before anybody had ever bought a car from it. It was truly about the art form and the culture, more so than now, where it's a successful way to make money. Back then you had to be doing it because you liked it.

Austin sounds a little bit like Aston Martin, which is the type of car James Bond would drive.

Racism has been for everyone like a horrible, tragic car crash, and we've all been heavily sedated from it. If we don't come into consciousness of this tragedy, there's going to be a violent awakening we don't want. The question is, can we wake up?

It was my father who instilled the 'never say no' attitude I carry around with me today, and who instilled in me a sense of wonder, always taking us on adventures in the car, never telling us the destination.

I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.

The culture is going into a psychological depression. We are concerned about our place in the world, about being competitive: Will my children have as much as I have? Will I ever own my own home? How can I pay for a new car? Are immigrants taking away my white world?

By the time the children go to bed, I am as drained as any mother who has spent her day working, car pooling, building Lego castles and shopping for the precisely correct soccer cleat.

I think we've been dulled by capitalism. We're just blobs now - we're so worried about how we can keep paying the lease on the car, the mortgage, the lease on the toaster and all that. You can't really think about much else. If you lose that, you lose the whole lot.