I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.

Where I come from it was really unheard of to be at a party and someone says, 'What kind of music do you make?', and you say, 'Pop music.' You may as well have 'I'm not cool' stamped on your forehead.

I dropped out of NYU, moved out of my parent's house, got my own place, and survived on my own. I made music and worked my way from the bottom up.

I decided to pursue music, so I dropped out of school and I told my parents I didn't want any money from them. I got three jobs and I just hit the ground running.

Pop music will never be low brow.

Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.

I write music every day.

I don't want to make niche-oriented music.

I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'

I just want to keep writing music.