I had a fear that I'd be typecast, but I don't really have that fear anymore.

Whenever somebody says they need an angle for their story I always fear that they've got an idea and they want me to fit into it or they want me to come up with an idea myself or I'm supposed to be more revealing than I've been, and to me it just sounds like something I don't want to do.

I love dogs. They live in the moment and don't care about anything except affection and food. They're loyal and happy. Humans are just too damn complicated.

You're raising a kid and you give it food and shelter and, most importantly, you give it the feeling that it's special. I think people react to celebrities like that - I mean, they treat celebrities like children.

I just spend my money on the essentials. Just basically food and shelter.

My entire life has been an attempt to get back to the kind of feelings you have on a field. The sense of brotherhood, the esprit de corps, the focus - there being no past or future, just the ball. As trite as it sounds, I was happiest playing ball.

I've turned down jobs because I've said, 'Honestly, I can't find my way in. I can't do it. I love you, as a director. I think the script is good. You deserve better than I think I can do.'

I've run into certain geniuses of individualism - they are very few and far between - who live their lives completely on their own terms they are very powerful and have a great amount of happiness. We all should aspire to that.

I enjoy comedy and I hope that people enjoy watching me do it.

There are certain things I learned when I first started learning about acting, to try and place the character physically and emotionally. And the way you place them emotionally is often with humor.