I recently turned down a film that I didn't want my kids to see. Priorities shift. Sometimes I'm sad about that, but not enough to do anything about it.

I have been to several wars to draw. I went to Vietnam. And made drawings in Vietnam during that period of the war there, and found that to be a very very sad situation.

So war is an extremely sad business, because the majority of people don't want to be in it.

It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses.

I was always depressed growing up. There wasn't a reason for it, I just was. I was sad and morose. I cried a lot, I wrote a lot, and I read a lot and that was how I dealt with it.

I often say the last role I played that really touched me and where I was able to access what I really am was Bonnie, which is kind of sad when you think how early in my career that was.

Sad old blokes, I'm told, now dream of me with a whip in hand.

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

My childhood, I would say, was a bit sad.

My childhood, I would say, was a bit sad. Society resents that.