It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.

My greatest environments in which I can grow, or grow up, is in personal romantic relationships with a man.

My dream role would probably be a psycho killer, because the whole thing I love about movies is that you get to do things you could never do in real life, and that would be my way of vicariously experiencing being a psycho killer. Also, it's incredibly romantic.

Death was like love, a romantic escape.

As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.

The concept of romantic love affords a means of emotional manipulation which the male is free to exploit, since love is the only circumstance in which the female is (ideologically) pardoned for sexual activity.

In the early days of Christianity the exercise of chastity was frequently combined with a close and romantic intimacy of affection between the sexes which shocked austere moralists.

Satan, really, is the romantic youth of Jesus re-appearing for a moment.

I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.

I'm a romantic slob!