The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.

I really liked Carrie a lot. That was one of Brian De Palma's best movies.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.

I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.

For me, relationships are the real action movies. Bombs are exploding every day and the kitchen is Ground Zero.

I mean, look, I love movies, not just the ones I make... In fact, I don't like the movies I make very much.

Each one of my movies becomes easier to get off the ground.

The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.'