I want to make movies that pierce people's hearts and touch them in some way, even if it's just for the night while they're in the cinema in that moment, I want to bring actual tears to their eyes and goosebumps to their skin.

When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

I crave working on those small independent movies because I love going to see those myself.

Lord of the Rings was my first experience making movies and at the time, I had no ideas how movies were done. I thought that's the way they're done, so in a way, I had nothing to compare it to.

The truth is - I found myself doing these huge action-adventure movies, and um, and which are cool man. And I really love doing them. And thankfully I haven't had too much dialogue, because if I had I would have really made a mess of it. You know what I mean?

Yeah, I mean the material, directors, the other cast, and if you think you can do something with the character then you do it and go from there. I am looking forward to doing some smaller movies.

I've done movies with a sword before. But I haven't really been given the full responsibility of something like a Ridley Scott film.

Movies like that aren't about the visual effects and explosions. They're human stories about family, about life, about death.

Just because you've made a couple movies, you've done some good movies, you've been nominated for some Academy Awards, whatever, nobody's entitled. It's a business. If they don't see it, I can think they're wrong, but I'm not entitled to a $15 million budget to make a film.