The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.

There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.

The world's most famous and popular language is music.

One of the hardest things for me, now that I'm famous, is finding people who can read my stuff and give me an honest critique.

One thing I think celebrities shy away from is exposing the reality that we're all the same. Somebody's not more important because they have a Bentley or a big house or a famous boyfriend or plastic surgery - we're all the same.

There's such big pressure on people who are incredibly famous, on those who have people sitting outside their front door and taking photos every time they move.

I never set out to be rich and famous. I wanted to follow my own path.

In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy.

In Germany I am not so famous.

Thank God I arrived the day before yesterday, the first of the month, at this port of San Diego, truly a fine one, and not without reason called famous.