You have to really dive deep back into yourself and get rid of so much modern analytical categorization. It's one of the great things poetry does.

The great watershed of modern poetry is French, more than English.

Among the American contemporaries I read with most enjoyment are several North Carolinians. I think the best poetry being written these days is being written by Southerners.

The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.

Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values, some of the same techniques.

Poetry, almost by definition, calls attention to its language and form.

The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.

Teaching writing over the years intrudes on your own writing in important ways, taking away some of the excitement of poetry.

I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry.

I don't think the creative writing industry has helped American poetry.